Since I first started playing Irish music, I’ve been drawn to writing my own compositions. It’s a risky endeavour. Irish traditional music is – as the name would imply – a fairly conservative medium. The vast majority of those who play the tunes are interested in keeping “the canon” (albeit a pretty big canon!) alive. So sometimes those who write tunes in keeping with the idioms come in for a bit of criticism – the implication being that there are hundreds of tunes out there that we could be learning, instead of cluttering up the airspace with unnecessary new additions.
I have a certain amount of sympathy with that position. And yet … sometimes when I’m playing the mandolin, the germ of a tune simply comes to me unbidden and I find myself nurturing it for a bit until I’m happy that I’ve got something which is genuinely “new” (although true to the tradition) and of a reasonable quality (a tune I’d be happy to share in a simpatico session).
And so, as this site develops, I’d like to share some of those tunes with you. With some of the stories that lie behind them. If you like them, let me know. If you don’t like them, let me know. If you think they deviate too far from the acceptable boundaries of the tradition, let me know. If you think they’re too similar to tunes which are already in circulation, let me know. If you’d like to incorporate them into your repertoire, let me know…
Added 18th April 2020. A Tune For Fee (slow reel). Well, I call this a slow reel. It’s a slowish tune in 4/4 and it’s not a hornpipe, strathspey or a barndance. So, I suppose by process of elimination, that it’s a reel! This tune arrived pretty much perfectly-formed and I named it after my partner, Fee, because it shares many of her qualities. Gentle, beautiful, calming and – as I said above – perfectly formed. She is and will forever be the centre of my universe and since I reckon this may be the best tune I have ever written and probably the best I’ll ever write, it’s fitting that I named it in her honour. Listen to me playing the tune on octave mandola here. Mandolin tablature available here. It’s set out in sheet music here. An early recording of this tune played on a heavily distorted electric guitar tuned DGGDAE. And finally, a midi-to-mp3 version of the bare bones of the tune can be found here.
Added 9th January 2020. Farewell To The Bay (waltz). I named this waltz in recognition of my mother’s and her parent’s move from The Bay area of Derryveen to Derrymacash in the 1960s. Although only a few miles, the move marked a big change in their lives. Listen to me playing the tune here. Mandolin tablature available here. The tune is set out in abc format here. Sheet music available here.
Added 9th January 2020. The Spoils Of Victory (hornpipe). I wrote this hornpipe in 2002, to celebrate Armagh (my home county) winning the All-Ireland Gaelic Football Championship. I originally posted the abc to thesession.org website. I revisited the tune a few days ago and I was unhappy with the triplets I’d written in the first instance (X:1 in the link which follows). So I tweaked bar 4 in the first and second parts (X:2) and I think the end result is far more pleasing to the ear. (Well – to my ear, in any event.) Listen to me playing the tune. Mandolin tablature available here. The tune is set in abc format (X:2) here. Sheet music available here.
Added 8th January 2020. The Long Haul (mazurka). I wrote this mazurka back in 2003/2004. A long time ago. It was named after an inaugural session in a local pub which started early and went on into the wee hours of the following day. All good crack – but a long haul. Listen to me playing the tune. Mandolin tablature available here. The tune is set out in abc format here. Sheet music available here.
Added 7th January 2020. The Hooded Man (jig). This tune is dedicated to my uncle, Gerry McKerr, who passed away recently. A solid man. Listen to me playing the tune. Mandolin tablature available here. The tune is set out in abc format here. Sheet music available here.
Added 7th January 2020. Joe Crilly’s Jig. Joe Crilly – actor, playwright and social catalyst – grew up in Derryadd, close to where I, too, grew up. He moved to London a few years before I did and we were close friends for many years, sharing many an adventure and misadventure along the way. Tragically, Joe took his life some years back and I feel his loss constantly. This jig is a tribute to a much-missed companion. Listen to me playing the tune. Mandolin tablature available here. The +tune is set out in abc format here. Sheet music available here.
Added 7th January 2020. McQuillan’s Hill (barndance). One of Joe Crilly’s (see above) most acclaimed plays was “On McQuillan’s Hill”. I wrote this barndance shortly after Joe died and named it “McQuillan’s Hill” as a further tribute. The jaunty nature of the piece is a mirror opposite of the grief I was feeling at the time at the loss of a great friend and a force of nature. Listen to me playing the tune. Mandolin tablature available here. The tune is set out in abc format here. Sheet music available here.
Added 7th January 2020. Cardiac Hill (jig). My mother owns a mobile home in Downings, County Donegal. The site commands great views but there’s a price to pay for those views in the form of a very steep section on the way in from Downings town. One of my relatives named this stretch of road “Cardiac Hill” and I thought the name was appropriate for this jig in A Major. Listen to me playing the tune. Mandolin tablature available here. The tune is set out in abc format here. Sheet music available here.